“And yet we are coming back,” remarked a colleague as we stood with about 60 or 70 others waiting for the boat that would take us from the airport to Venice—a boat that might or might not arrive soon, a boat that, when it arrived and we got to the front of the line, was not the one we wanted and was already full.
Perhaps because last year's program was so impressively good, neatly making up for Cannes' deficit. Black Swan, Silent Souls, Autopsy, 13 Assassins, Fire... somehow every day seemed great. This year's lineup looked less promising - but that was also to be expected.
Source: IndieWire